DJI Avata 2 up to 110 km/h, flight choreographed to the music, ProRes RAW. Artists · labels · creative agencies. EASA, insurance, English-speaking crew.
FPV isn't just speed — it's a camera that flies through a window, races a dance line, dives down a club staircase. No gimbal can do that.
DJI Avata 2 with FPV goggles lets the pilot see first-person in real time. Dynamic moves that simply aren't reachable on a conventional gimbal drone.
We shoot in ProRes RAW or D-Log M — full colour control in post. EASA Open certification and Compensa insurance extended for music production.
We work both as a day-rate for studios and on a full end-to-end brief with a drone-only edit for the release - scope agreed individually.
4K 60p ProRes RAW or D-Log M, ND filters, colour profile to match your colourist.
Pre-vis to the music, 2-3 takes per sequence. FPV pilot + safety pilot.
Clubs, tunnels, staircases — drone replaces the slider.
Chase cars, bikes, runners. Synced with a ground gimbal.
Optional drone-only cut for TikTok / Reels marketing the single.
Photo + video set coverage for artist/brand BTS content.
Typical clients: music labels, music video directors, creative agencies, sportswear brands.
Every project is unique — pricing is built around the brief. Sketch your idea in two lines and we’ll call back within 24 hours with a concrete offer.
Music videos are non-linear — there's a process, every project gets variants.
Vimeo/YouTube refs, treatment, required shot list. Director meeting.
Location safety scan, sequence pre-vis on iPad or software pre-vis tools.
FPV pilot + safety pilot, 2-3 takes per sequence, director monitor on set.
Best takes delivered in 3 days, raw files in 5 days — your editor works with the LUT.
Optional 60-s drone edit for social marketing of the release.
Selected frames from recent shoots — Warsaw business districts, the Old Town, palaces, skylines, winter markets and travel landscapes. All captured on our DJI fleet and graded in studio.
Real commercial shoots — from a café to premium real estate and an auto service. Tap any case to watch the video.
Labels and directors most often ask about codec, licensing, safety and turnaround.
Yes, with a location scan and two pilots. Indoor speeds capped at 30-50 km/h, prop guards on. Never above people without their consent.
Yes. FPV pilot works on the director's monitor, 2-3 takes per sequence. Editor picks the best music sync.
EASA Open A1/A3 certification; Compensa VIG insurance covers up to 5 million PLN. Controlled-airspace permits take 5-14 days. Night flights filed separately with ULC.
Yes — HDMI from the drone to the director's monitor on set. Spare goggles for the director if they want a 1:1 view with the pilot.
Pre-vis: 5-10 days. Shoot: 1-3 days. Raw delivery: 5 days from the last shoot day. The full project usually wraps in 4-6 weeks.
The team has 2 FPV pilots, both trained on identical kit (DJI Avata 2 + 5-inch custom cinewhoop). If the lead is unavailable - the second is on shift within 12 hours. Across 4 years of music videos - 0 missed shoot days.
Standard - ProRes 422 HQ 4K 60p (10-bit, up to 220 Mbps). For premium music videos - ProRes 4444 12-bit via external recorder Atomos Ninja V. For DOPs shooting on Sony VENICE or RED - we match colour through a 3D LUT and compressor. We deliver the master via Frame.io or Send Anywhere.
We typically shoot 3-5 takes of every flight figure. If the key shot fails for technical reasons on our side - we return to the same location within 14 days free of charge. Written into every contract as a separate clause.
Send refs, brief or treatment draft — we'll propose flight choreography and ballpark within 48 h.
Drop your contact — we reply within 30 minutes during business hours. Initial quote within 24 h, no strings attached.
